Experiments in Style

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One of the fun things about writing is experimenting in different styles. Not voices. My voice is my voice, and those of you who have followed me for a while now are beginning to know my writing voice.

No, my experiments are in different general approaches to writing.

A SECRET FAMILY RECIPE, my new book for Covenant, is an experiment in a variety of ways. For one thing, every chapter begins with a recipe, one a friend called "interactive" since the characters work with the food in the recipe.

Another difference is the point of view. My first seven books were all written in third person with one (or occasionally two) viewpoint(s). RECIPE has four narrators and multiple viewpoints.

Also different is the time period. Most of my books cover weeks or months while most of the action in RECIPE happens in a single week. Different? Um, yeah, I think so.

It's also been fun. I'm enjoying experimenting a little, and I think my readers may want to enjoy it, too.

Style Tips for Beginners

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It's Style Week here at the blog and today's tip from the web discusses how to avoid the errors in style that may mark you as a beginner. In "Mistakes Often Made by Beginning Writers," author Debbie Lee Wesselmann shares a list of six tips for avoiding those humble errors.

Can you avoid every mistake? No way. Not even the best and finest writers are at the top of their game in every sentence of every book, but when you're about to send your fictional babies off to an agent or editor who is going to decide whether or not to give them wings, depending on how your manuscript reads, you do not wish to mark yourself as an Unlearned Outsider.

Wesselmann's hints hit at six of the most common ways to alert a professional that you aren't one yet. I can recommend this list most highly, and I found these good reminders for my own work as well.

Read. Enjoy. If one of the ideas she lists seems like a personal assault, take it personally, apply her insight to your manuscript, and write in a more polished, professional style ever after.

Writing with Style

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Just as each person's voice is unique, each writer has a voice of her own. She (or he) uses words in a certain way, prefers specific sorts of sentence structures, organizes in given patterns and, generally speaking, has an unique writing voice.

This is how teachers of writing spot plagiarism, even before they've run a batch of papers through a style checker. When a writer's voice suddenly changes, the teacher becomes suspicious and begins looking for the true source of the words on the page.

So how do you attain your own unique writer's voice? Write. The voice happens.

That sounds like a simplification, but it's exactly the way it works. Prolific novelist Nora Roberts once told a group of us at a writer's conference that she didn't discover her own authorial voice until she was working on her eighth novel. Really. She knows her voice now, but it's been there all along, even from Book One.

Style is different, although subtly so, and you can exercise more conscious control of your styling.

Are you overly fond of adverbs? Learn to control them, saving them only for moments when they will make your image crisper, your character more appealing, your story more direct.

Do you seek for all kinds of ways to vary words? Don't do it. Mars may also be known as "the red planet," but if I don't know that, might I not think you're writing about TWO planets when you put Mars in one sentence and "the red planet" in the next?

A conscious study of your own style is one good way to make the serious leap from "I'm thinking about it" to "I'm a writer." I commend it to you.